Cornucopia – The Party is Over

ARTIST: Bigert & Bergström (2025)
TECHNIQUE: Gold-plated stainless steel

You are now standing in front of Cornucopia – The Party is Over, created by the artist duo Bigert & Bergström. The artwork consists of a golden, spiral-shaped horn that rises several meters above the ground, mounted on a base in the dramatic landscape of Kvarntorpshögen.

The title refers to the classical symbol of the cornucopia, or horn of plenty – a motif rooted in Greek mythology. According to legend, the horn came from the goat Amalthea, whose endless nourishment sustained the infant Zeus. Traditionally, the cornucopia is depicted overflowing with fruits, flowers, and nature’s bounty – a symbol of eternal abundance.

But here, Bigert & Bergström have reversed the meaning. Instead of spilling out gifts of nature, the horn emits red warm fronts – resembling the symbols for heat waves on weather maps.

It’s a visual commentary on the climate crisis. On overconsumption. On how we drain the planet’s resources in pursuit of endless growth.

The sculpture is made of gold-plated stainless steel, and its reflective surface shines so brightly it can be seen from miles away. It weighs 400 kilograms and was transported all the way from China – via the Trans-Siberian Railway. A logistical and artistic journey in itself.

Bigert & Bergström are based in Stockholm and have worked together since 1986. They are internationally recognized for their conceptually and technically complex art projects – ranging from large-scale sculptures and installations to performance and film.

At the heart of their work lies the intersection of humanity, nature, and technology. With energetic curiosity and humor as a tool, they explore scientific and societal issues – such as climate change and sustainability.

They never preach. They don’t demand that you take a stand. Instead, they turn the world upside down – inviting us to participate, to experience, and once the spectacle fades… to reflect on what just happened.

One critic described them as two polymath engineers in white overalls – with magical powers – traveling the world with their ingenious machines. They tenderly attempt to repair a planet that is increasingly stressed and overheated. They urge us to pay attention – by starting a rain shower, or diverting a storm.

Here at Kvarntorpshögen, where nature and human impact collide in stark contrast, their art takes on a special resonance.Questions about climate, the future, and human responsibility become especially present.

So as you stand here, in front of Cornucopia – The Party is Over –
ask yourself:

What is wealth? What is excess? And what happens when we take too much?

Bigert & Bergström want this work to combine beauty with brutal reflection. It’s a piece that glimmers – but also burns.